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The Heraldrys Institute of Rome, with steadfast conviction, doth hold in high esteem the noble and intellectual labours of mankind. And for this most worthy reason, in accordance with the nature of its esteemed undertakings, it doth solely employ the finest craftsmanship in all matters of its art.
Verily, behind each of our works, there lies the careful and diligent toil of learned heraldic scholars, who, with great precision, research and study. Furthermore, our esteemed service to patrons is ever overseen by those who are experts in the art of courteous and attentive care, ensuring the highest standards of satisfaction in all matters.

In all due courtesy and as a mark of respect towards our esteemed clientele, we do hereby make plain that, from the close of the year of Our Lord 2024, in the crafting of final documents, we do at times employ the assistance of artificial intelligence to seek out and refine ancient syntax, that which befits the noble language of heraldry, especially in texts of foreign tongue. We also affirm and do attest that all heraldic research, as well as the creation of coats of arms and printed works, remain the fruits of diligent, artisanal labor.

Heraldry is the study of the blazon and the coat of arms, also known as shields. Heraldry therefore identifies, describes and catalogs the graphic elements that together identify a family, an institution, a group of people or an individual.

In fact, when a drawing is done in accordance with heraldic rules, anyone who knows these rules is able to describe exactly the coat of arms simply looking at the design and vice versa. Therefore, flags and logos or trademarks of a commercial or industrial nature are not among the objects of study of heraldry.

The shield, together with its ornaments, is the graphic representation of the coat of arms while the blazoning is its verbal representation, its description.

The blazoning originated in the practice of medieval tournaments. The heralds had in fact the need to create reliable coats of arms collections ("stemmari") to describe those exclusive elements that allowed to identify at a distance the knights covered with metal armor thanks to the banners they raised or to the horse's gallop.

Over time, the blazoning evolved into an increasingly complex language, with its own vocabulary and syntax so that it could describe even the most complex blazons without ambiguity.

Initially, heraldic identification was limited to only the elements represented on the shield. It then evolved into greater complexity and the ornaments became an integral part of it.

This is also the reason why that part of the heraldry that deals with the description of the coats of arms is often defined as the "art of the blazon".While the study of the history of aristocratic families and their noble titles is called strictly "heraldry".

In the countries and in the historical periods in which the coat of arms has, or has had, an actual value as a unique element of recognition of people or institutions, the granting of a coat of arms and the drafting of the related blazon are entrusted to legal bodies and guaranteed by the State, in the same way as names and surnames.

Since the entry into force of the Republican Constitution, the Italian State no longer guarantees the individual and family heraldic system, as it is directly connected with the noble titles, no longer legally recognized. However heraldic institutes continue to pass on and preserve this noble and ancient art.